Passo di Corvo figurines – Contrada Arpinova (FG)

The card was edited by Elvira Visciola

Passo di Corvo figurines – Contrada Arpinova (FG)

The card was edited by Elvira Visciola


In the complex of the Archaeological Park of Contrada Arpinova a total of 8 fragmentary specimens considered plastic artefacts were found; among these, two female statuettes about 7 cm high are molded in the round while the other artifacts are fragments of the faces of statuettes, some schematized in bas-relief.

One statuette in particular arouses interest for the particular expression of the face and for some symbols shown on the body. The famous Lithuanian archaeologist Marija Gimbutas was also interested in this statuette who, in her book "The language of the Goddess” (Milan 1990, p. 22-23) writes: “Signs to M they also appear on various figurines, particularly under the breasts, the source of milk and nourishment. Also this statuette, with mask and necklace a V, bears one M on the back. Also note the butterflies, a symbol of regeneration, placed under the M.” The find is a female figure, probably a Mother Goddess, appears in a state of trance with her head thrown back in a hieratic attitude, a Phrygian-type cap on her head, her eyes half closed and with a strip of red ocher running down her from one nostril; she wears a necklace with 22 beads that falls on her chest; below her small breasts there are two specular M signs, to symbolize water which according to Gimbutas is vital substance par excellence, symbol of the Goddess, while for others they would represent the constellation of Cassiopeia; even further down there are two drawings of a butterfly, a symbol of regeneration, linked to the life cycle of man and nature. This figurine was made with a grayish impasto technique with unevenly cooked calcareous inclusions and this characteristic, together with the use of the graffiti technique for the incisions, meant that it was dated to the III phase of the ancient Neolithic.

The other statuette, dated to the Middle Neolithic, was made of well-fired, pinkish-colored figulina clay, with somewhat rough surfaces and more summary and coarser execution than the previous one. This too is in the round, the lower part is missing, the body has only the two breasts in relief, the nose and the two arms adhering to the body; the eyes and mouth are indicated by slightly deformed horizontal notches from damage during excavation. The Passo di Corvo site is of particular interest as several excavation campaigns have been concentrated in the area which have brought to light the remains of a large settlement, considered the largest village in Europe dating back to the Neolithic age (between the 2th and XNUMXth millennium BC). Less than XNUMX hectares wide, the village was protected by a triple moat with an arched plan and about a hundred complexes of huts. The presence of many ditches around the villages and of C-shaped ditches has not yet obtained a valid explanation: it has been thought that they served to protect the houses or as a sort of enclosure for housing animals, but neither of the two indications it is suitable as the houses were outside the ditches which in turn were too small to contain animals.

Historical notes

The discovery of the site occurred by chance, through the study of some aerial photos taken by the Royal Air Force in 1943 and thanks to the intuition of the British Army Lieutenant JSP Bradford who was the first to identify in the images taken by fellow pilots, the signs of the presence of ancient "C" shaped settlements that outlined the perimeters of the Neolithic huts.

"… Approximately a thousand sites have been identified from above in the Tavoliere. In 1978-79 I personally witnessed this incredible density of villages surrounded by moats working with a magnetometer and a team from UCLA in the area between the Cervaro and Ofanto rivers. Over the course of a few weeks, I identified seventy-five moated settlements. The magnetometer has detected the ditches, since everything that once belonged to the farmhouses – pottery, stone and bone tools and animal remains – has mixed inside them. Unfortunately we cannot reconstruct the houses, temples and their furnishings with in Central Europe and the Balkans, as very little is left in situ…” (M. Gimbutas, 2012, pp. 177-179). In the mid-70s, the excavations were conducted by the University of Genoa, assisted by Professor Santo Tinè; the site was rich in finds, burials, objects of worship and everyday life, now kept in the Civic Museum of Foggia and in the National Archaeological Museum of Manfredonia. The Archaeological Park is easily reachable on the state road 89 from Foggia to Manfredonia, take a detour to San Marco in Lamis on the Provincial road 26 until you reach your destination.

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CARD

Name

Passo di Corvo figurines – Contrada Arpinova (FG)

Subject

Female figurine

Timeline

The conditions of the discovery of the two statuettes did not allow for a certain dating, even if further investigations led to the hypothesis of a later date for the statuette with the singular engraved and graffitied decoration, between the end of the 5050th and the first half of the 100th millennium BC (4590+ 60 and 2+4.300 BC); while the other statuette, of rougher execution, has taken the dating from the ditch from which it comes, ascribed to the IVa3800 phase of the middle neolithic, i.e. between XNUMX and XNUMX BC

Location of discovery

Archaeological area of ​​Passo di Corvo in Contrada Arpinova - Province of Foggia

Region

Puglia

Environmental context

External area

exhibits exhibited

Exhibited at the National Archaeological Museum of Manfredonia which is inside the Swabian Angioino Castle, in Piazzale Ferri snc, Manfredonia (Foggia) – Tel. 0884-587838.

State of conservation

Discount

Dimensions:

The oldest figurine has a height of cm. 6 and the most recent one of 6,5 cm.

Legal condition

State property

REFERENCES

  1. Alessandra Manfredini - "Residential structures in the southern Adriatic Neolithic" - in Proceedings of the 13th National Conference on Prehistory - Protohistory - History of Daunia – 22-23-24 November 1991 – Foggia 1993 – pp. 73-81;
  2. Eugenia Isetti, Ivano Rellini, Guido Rossi and Antonella Traverso – “Passo di Corvo (Foggia). Micromorphological investigations on the filling of ditches: preliminary interpretative perspectives" - in Proceedings of the 38th National Conference on Prehistory - Protohistory - History of Daunia – 18-19 November 2017 – San Severo 2018 – pp. 99-110;
  3. Anna Maria Tunzi and Mariangela Lozupone - "Biccari (Foggia) - Stories of minor Neolithic settlements: the tomb of the lady and the atelier of the Venuses" - in Proceedings of the 38th National Conference on Prehistory - Protohistory - History of Daunia – 18-19 November 2017 – San Severo 2018 – pp. 129-149;
  4. Francesca Franchin Radcliffe John Bradford and archaeological research from the sky 1945/1957 – Claudio Grenzi Publisher 2006;
  5. Maria Antonietta Fugazzola Delpino, Vincenzo Tinè – “The clay figurines of the Italian Neolithic. Iconography and cultural context” - In Bulletin of Italian palethnology – Rome 2002-2003;
  6. Marija Gimbutas – The language of the Goddess – The Owls of Venexia Editions 2008;
  7. Marija Gimbutas – The civilization of the Goddess – Alternative Press/New Balances – Viterbo 2012;
  8. Renata Grifoni Cremonesi and Annaluisa Pedrotti – “The art of the Neolithic in Italy: state of research and new acquisitions" - In XLII scientific meeting of the IIPP Prehistoric art in Italy – Trento, Riva del Garda, Val Camonica, 9-13 October 2007;
  9. Mario Giannitrapani – Anthropomorphic Neolithic coroplastic of Italy – Bar International Series 1020 – Oxford 2016.
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