Figurines of Dead Female – Biccari (FG)

The card was edited by Elvira Visciola

Figurines of Dead Female – Biccari (FG)

The card was edited by Elvira Visciola


These are various finds of statuettes, at various stages of processing, depicting "mother goddesses" in different positions and in the round, found in the place of production, which is why the site, Structure 15 of the residential area of ​​Female Morta, was nicknamed as “atelier delle veneri”.

Among the various finds, the most complete is about 4 cm. in height, it represents the lower part (between the belly and the legs) of a female statuette in a seated position, with deep furrows between the protruding buttocks while on the front side a triangle to identify the vulva; the body is engraved with some dashed signs, perhaps to indicate the folds of a dress. The upper part of the bust is missing, small protrusions above the belly are hinted at, probably indicating the breasts.

Among the other specimens found, it is worth mentioning an all-round buttock with leg and a seated figure with legs backwards which refers to the typical iconographic scheme of the "mother goddess" of the Maltese Neolithic from the temple of Hagar Qim. Other finds are a clay bench, perhaps used as a support stool, a green stone pendant and a pintadera.

What has been able to certify is that the Neolithic attendance of the Dead Female site is due to the exploitation of the rich clay vein present on site: numerous production structures have been found suitable for the extraction, settling of the clays and their processing in large open surfaces, as well as 16 combustion pits. The site was specialized in the production of pottery used for ceremonies (often zoomorphic) and female statuettes, the expression of a cult linked to the rites of life, death and rebirth, as witnessed in most of the Mediterranean civilizations.

The importance of the find, beyond the characteristics of the finds, is that of having identified a place of processing and production of objects related to the cult, a large circular platform in minute cobblestone, where it was possible to identify the processing techniques used in the Neolithic for the creation of clay figurines; in particular, the tools for the various stages of processing were found which consisted in shaping the individual parts of the body and then assembling them together to form the entire statuette.

In-depth studies of the area have made it possible to ascertain that the same was occasionally frequented, probably in the summer period, when the climatic conditions favored the working of the clay; it is positioned near the Vulgano torrent, along a hill perpetually affected by the winds, at about 415 meters above sea level. The climatic conditions of the site allowed only temporary stops of limited duration, therefore, in addition to the ceramic processing and production area, a few oval-shaped shelter structures with a recessed bottom and a tomb of a young man of about 8-9 years were found ( the young age did not allow the identification of the sex), died of malnutrition and buried in a silo for the treatment of foodstuffs no longer used for the purpose. Next to the body of the deceased young man, dated to the XNUMXth millennium BC, a canid head placed near the feet and a flint tool placed on the chest were found.

Historical notes

The Neolithic site of Maschio Morta was identified during the preventive archeology surveys carried out by the Superintendency on the occasion of the opening of construction sites linked to wind power and methane pipelines which took place between 2012 and 2015.

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CARD

Name

Figurines of Dead Female – Biccari (FG)

Subject

Female figurine

Timeline

Various findings have made it possible to attest that the site in the Femmina Morta locality was chosen for temporary seasonal visits repeated over time during the phases of the Middle Neolithic, i.e. between the end of the 4710th and the middle of the 4400th millennium BC. The dating of the atelier was possible thanks to the radiometric measurement obtained from animal bone referring to XNUMX-XNUMX BC in a calibrated chronology and strengthened by the presence of fragments of divinities depicted according to iconographic schemes widespread in the same chronological horizon of the Maltese Neolithic, in particular of Hagar Oim.

Location of discovery

Archaeological site of Femmina Morta, located 3 km north of the center of Biccari - Province of Foggia.

Region

Puglia

Environmental context

External area

exhibits exhibited

The finds are exhibited in the National Archaeological Museum of Manfredonia.

State of conservation

Fragments

Dimensions:

Each figurine fragment has a height of approximately 4 cm.

Legal condition

State property

REFERENCES

  1. Anna Maria Tunzi, Mariangela Lo Zupone, Nicola Gasperi, Francesco Matteo Martino and Tania Quero – “The Hidden Neolithic: Negative Structures from New Inhabited Contexts of Northern Puglia" - In Third Annual Meeting of Prehistory and Protohistory – Italian Institute of Prehistory and Protohistory – Florence 2017 – pag. 43-48;
  2. Maria Luisa Marchi, Anna Rosaria Castellaneta and Giovanni Forte - "Landscapes of the Daunia: new data from the Montecorvino project - Ager Lucerinus - in Proceedings of the 34th National Conference on Prehistory, Protohistory, History of Daunia – 16-17 November 2013 – San Severo 2014;
  3. Anna Maria Tunzi, Nicola Gasperi, Anna Ignelzi, Mariangela Lo Zupone, Francesco Matteo Martino and Tania Quero – “Dwellers from the Neolithic to the Bronze Age. Methods of occupation of the territory in northern Puglia" - in Proceedings of the 40th National Conference on Prehistory, Protohistory, History of Daunia – 15-17 November 2019 – San Severo 2020;
  4. Anna Maria Tunzi and Mariangela Lo Zupone - Biccari (Foggia) - "Stories of "Minor settlements" of the Neolithic: the tomb of the "lady" and the atelier of the "veneri""- in Proceedings of the 38th National Conference on Prehistory, Protohistory, History of Daunia – 18-19 November 2017 – San Severo 2018;
  5. Salvatore Bianco – “The Neolithic figurine of Alianello Nuovo from Aliano (Matera)” – in Traveling, on the same road. Written for Giuliano Cremonesi – edited by Giovanna Radi, Lucia Sarti and Fabio Martini – Museum and Florentine Institute of Prehistory “Paolo Graziosi” – Florence 2022 – pp. 225-240.
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